Difference between revisions of "Rasa"
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− | < | + | <p style="text-align:justify;">The Sanskrit term “rasa” denotes a wide spectrum of meanings viz. “sap”, “juice”, “essence”, “taste, flavor”, “delight”, “charm,” and “sentiment,” etc. In [[Ayurveda|Ayurveda]], the term denotes taste/flavor, primary circulating nutritional fluid (ahararasa), fresh juice of plant (svarasa). In the context of rasashastra it indicates quicksilver, mercury (parada) and other precious metals. In [[Ayurveda|Ayurveda]], the primary taste is one of the identifying markers of the dravya. Apart from the contemporary meaning of taste, the concept of rasa has a wider pharmacological approach. The taste plays a vital role in deriving the pharmacological activity profile of the medicines. A physician, well acquainted with the classification of rasa and [[Dosha|dosha]], seldom commits blunders in ascertaining the etiology, symptomatology, and treatment of [[Vyadhi|diseases]].<ref>Nishteswar K. Watermark of original Ayurveda: Is it fading away in current clinical practice and research? Ayu [Internet]. 2014 [cited 2022 Oct 10];35(3):219. Available from: /pmc/articles/PMC4649574/</ref> This chapter describes concept of rasa (taste) with its applications in pharmacotherapeutics. </p> |
− | The Sanskrit term “rasa” denotes a wide spectrum of meanings viz. “sap”, “juice”, “essence”, “taste, flavor”, “delight”, “charm,” and “sentiment,” etc. In [[Ayurveda|Ayurveda]], the term denotes taste/flavor, primary circulating nutritional fluid (ahararasa), fresh juice of plant (svarasa). In the context of rasashastra it indicates quicksilver, mercury (parada) and other precious metals. In [[Ayurveda|Ayurveda]], the primary taste is one of the identifying markers of the dravya. Apart from the contemporary meaning of taste, the concept of rasa has a wider pharmacological approach. The taste plays a vital role in deriving the pharmacological activity profile of the medicines. A physician, well acquainted with the classification of rasa and [[Dosha|dosha]], seldom commits blunders in ascertaining the etiology, symptomatology, and treatment of [[Vyadhi|diseases]].<ref>Nishteswar K. Watermark of original Ayurveda: Is it fading away in current clinical practice and research? Ayu [Internet]. 2014 [cited 2022 Oct 10];35(3):219. Available from: /pmc/articles/PMC4649574/</ref> This | ||
{{Infobox | {{Infobox | ||
|title = Contributors | |title = Contributors | ||
|label1 = Section/Chapter/topic | |label1 = Section/Chapter/topic | ||
− | |data1 = Concepts/[[ | + | |data1 = Concepts/[[Rasa]] |
|label2 = Authors | |label2 = Authors | ||
− | |data2 = T.Saketh Ram<sup>1</sup>,<br/>Deole Y.S.<sup>2</sup> | + | |data2 = T.Saketh Ram<sup>1</sup>,<br/>[[Yogesh Deole|Deole Y.S.]]<sup>2</sup> |
|label3 = Reviewer | |label3 = Reviewer | ||
− | |data3 = Basisht G.<sup>3</sup>, | + | |data3 = [[Gopal Basisht|Basisht G.]]<sup>3</sup>, |
|label4 = Editor | |label4 = Editor | ||
− | |data4 = Basisht G.<sup>3</sup> | + | |data4 = [[Gopal Basisht|Basisht G.]]<sup>3</sup> |
|label5 = Affiliations | |label5 = Affiliations | ||
|data5 = <sup>1</sup>National Institute of Indian Medical Heritage, C.C.R.A.S. Hyderabad, India<br/><sup>2</sup>Department of Kayachikitsa, G. J. Patel Institute of Ayurvedic Studies and Research, New Vallabh Vidyanagar, Gujarat, India<br/><sup>3</sup>Rheumatologist, Orlando, Florida, U.S.A. | |data5 = <sup>1</sup>National Institute of Indian Medical Heritage, C.C.R.A.S. Hyderabad, India<br/><sup>2</sup>Department of Kayachikitsa, G. J. Patel Institute of Ayurvedic Studies and Research, New Vallabh Vidyanagar, Gujarat, India<br/><sup>3</sup>Rheumatologist, Orlando, Florida, U.S.A. | ||
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|data8 =November 18, 2022 | |data8 =November 18, 2022 | ||
|label9 = DOI | |label9 = DOI | ||
− | |data9 = | + | |data9 = {{DoiWithLink}} |
}} | }} | ||
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The term rasa is used for denoting various meanings in various classical knowledge systems<ref>https://www.wisdomlib.org/definition/rasa.</ref> as below. | The term rasa is used for denoting various meanings in various classical knowledge systems<ref>https://www.wisdomlib.org/definition/rasa.</ref> as below. | ||
{| class="wikitable" style="margin:auto" | {| class="wikitable" style="margin:auto" | ||
− | |+ style="text-align:left;" | Table 1: | + | |+ style="text-align:left;" |Table 1: Different meanings of rasa |
|- | |- | ||
! Name of the Indian Knowledge System | ! Name of the Indian Knowledge System | ||
Line 46: | Line 45: | ||
| Taste, flavour as perceived by tongue; <br/>Primary circulation nutritional fluid (rasadhatu)<br/>Fresh Juice of a plant (svarasa) | | Taste, flavour as perceived by tongue; <br/>Primary circulation nutritional fluid (rasadhatu)<br/>Fresh Juice of a plant (svarasa) | ||
|- | |- | ||
− | | | + | | Rasa shastra |
| Mercury; any precious metal as gold. | | Mercury; any precious metal as gold. | ||
|- | |- | ||
Line 52: | Line 51: | ||
| Taste as perceived by tongue; | | Taste as perceived by tongue; | ||
|- | |- | ||
− | | | + | | Natya shastra (theatrics and dramaturgy),<br/>Kavya shastra (science of poetry),<br/>Shilpa shastra (iconography) |
| “sentiment” or “aesthetic sense” or “emotion”;<br/>rasa is the name given to bhava when it is immediately apprehended by the consciousness without veils.<br/>Shringara(the erotic),<br/>hasya(the comic),<br/>karuṇa (the pathetic),<br/>raudra (the furious),<br/>veera(the heroic),<br/>bhayanaka(the fearful),<br/>bibhatsa(the disgusting),<br/>adbhuta (the wondrous).<br/>shanta(the peaceful) | | “sentiment” or “aesthetic sense” or “emotion”;<br/>rasa is the name given to bhava when it is immediately apprehended by the consciousness without veils.<br/>Shringara(the erotic),<br/>hasya(the comic),<br/>karuṇa (the pathetic),<br/>raudra (the furious),<br/>veera(the heroic),<br/>bhayanaka(the fearful),<br/>bibhatsa(the disgusting),<br/>adbhuta (the wondrous).<br/>shanta(the peaceful) | ||
|- | |- | ||
− | | | + | | Ganita shastra (Mathematics and Algebra) |
− | | Term denotes number “six” and number “nine”; six is based on six tastes and nine is based on nine emotions; In general practice for six “ritu | + | | Term denotes number “six” and number “nine”; six is based on six tastes and nine is based on nine emotions; In general practice for six “ritu (seasons)” is employed instead of six tastes e.g. rituchakra denoting sixth group in 72 melakara ragas of Carnatic music. |
|- | |- | ||
| Miscellaneous usage | | Miscellaneous usage | ||
Line 80: | Line 79: | ||
! Details | ! Details | ||
! Proposed by | ! Proposed by | ||
− | ! Explanation by | + | ! Explanation by Punarvasu Atreya |
|- | |- | ||
| One | | One | ||
Line 94: | Line 93: | ||
| Three | | Three | ||
| Above two and ordinary (Sadharana) | | Above two and ordinary (Sadharana) | ||
− | | | + | | Purnaksha Moudgalya |
| Same as above | | Same as above | ||
|- | |- | ||
Line 104: | Line 103: | ||
| Five | | Five | ||
| 1. Earth element predominant (Bhauma)<br/>2. Water element predominant (Udaka)<br/>3. Fire element predominant ([[Agneya|Agneya]])<br/>4. Air element predominant (Vayavya)<br/>5. Space element predominant (Akashiya) | | 1. Earth element predominant (Bhauma)<br/>2. Water element predominant (Udaka)<br/>3. Fire element predominant ([[Agneya|Agneya]])<br/>4. Air element predominant (Vayavya)<br/>5. Space element predominant (Akashiya) | ||
− | | | + | | Kumarashira Bharadwaja |
| The group represents substances in general and not specific to taste, hence not acceptable. | | The group represents substances in general and not specific to taste, hence not acceptable. | ||
|- | |- | ||
Line 348: | Line 347: | ||
The [[Dravya|dravya]] with bitter, astringent, and salty tastes predominantly have light to digest, dry, and hot properties.<ref>AyuSoft Team. Rasa-Siddhaanta Tastes: All Useful all Over [Internet]. 2006 [cited 2022 Oct 9]. Available from: https://ayusoft.ayush.gov.in/rasa-siddhaanta-tastes-all-useful-all-over/</ref></div> | The [[Dravya|dravya]] with bitter, astringent, and salty tastes predominantly have light to digest, dry, and hot properties.<ref>AyuSoft Team. Rasa-Siddhaanta Tastes: All Useful all Over [Internet]. 2006 [cited 2022 Oct 9]. Available from: https://ayusoft.ayush.gov.in/rasa-siddhaanta-tastes-all-useful-all-over/</ref></div> | ||
− | == Primary | + | == Primary taste and adjunct, secondary taste (anurasa) == |
<div style='text-align:justify;'> | <div style='text-align:justify;'> | ||
Every substance has a primary taste (pradhana rasa) and adjunct or secondary taste (anurasa). | Every substance has a primary taste (pradhana rasa) and adjunct or secondary taste (anurasa). | ||
The unmanifested taste is referred to as adjunct taste (anurasa). For example, when chewing chebulic myrobalan (haritaki), an astringent taste is exhibited. While the other four tastes remain unmanifested. Therefore, adjunct taste (anurasa) becomes manifested at the end, such as the emergence of sweet taste, etc. As with Indian [[Amalaki|gooseberry (amalaki)]], the sour taste comes first, followed by other tastes.<ref>P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 61.</ref> | The unmanifested taste is referred to as adjunct taste (anurasa). For example, when chewing chebulic myrobalan (haritaki), an astringent taste is exhibited. While the other four tastes remain unmanifested. Therefore, adjunct taste (anurasa) becomes manifested at the end, such as the emergence of sweet taste, etc. As with Indian [[Amalaki|gooseberry (amalaki)]], the sour taste comes first, followed by other tastes.<ref>P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 61.</ref> | ||
<br/>According to [[Charak Samhita New Edition|Charak samhita]], the first manifested taste of a material when it comes into touch with the tongue in a dry condition is recognized as the principal taste. It signifies that the main taste is the one that remains in the dry state and is experienced clearly. Whereas the adjunct taste is only present in the fresh form and is exhibited minimally towards the end. Chakrapanidatta interprets that taste and adjunct taste can be distinguished by manifestation; the former is manifested in all states, whereas the latter is always unmanifested and is known only by its faint appearance or inference from its action. However, that adjunct taste is felt in the end is a common experience, which is why Vagbhata has modified the definition accordingly.<ref>P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 61.</ref> | <br/>According to [[Charak Samhita New Edition|Charak samhita]], the first manifested taste of a material when it comes into touch with the tongue in a dry condition is recognized as the principal taste. It signifies that the main taste is the one that remains in the dry state and is experienced clearly. Whereas the adjunct taste is only present in the fresh form and is exhibited minimally towards the end. Chakrapanidatta interprets that taste and adjunct taste can be distinguished by manifestation; the former is manifested in all states, whereas the latter is always unmanifested and is known only by its faint appearance or inference from its action. However, that adjunct taste is felt in the end is a common experience, which is why Vagbhata has modified the definition accordingly.<ref>P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 61.</ref> | ||
+ | |||
Therefore, to simplify this, the first manifested taste is the principal rasa, and the one manifested at the end is the adjunct or secondary rasa of the substance. </div> | Therefore, to simplify this, the first manifested taste is the principal rasa, and the one manifested at the end is the adjunct or secondary rasa of the substance. </div> | ||
Line 534: | Line 534: | ||
! Reference | ! Reference | ||
|- | |- | ||
− | | Kashaya | + | | Kashaya anurasa stanya |
| astringent taste in breast milk | | astringent taste in breast milk | ||
| Vata dominant dushti | | Vata dominant dushti | ||
| A.S.Su.36:16,<br/>Cha.Sha.8:55;<br/>S.N.JO:23;<br/>AS.U.2:4;<br/>Ah.N.2:3;<br/>M.N.67:2 | | A.S.Su.36:16,<br/>Cha.Sha.8:55;<br/>S.N.JO:23;<br/>AS.U.2:4;<br/>Ah.N.2:3;<br/>M.N.67:2 | ||
|- | |- | ||
− | | | + | | Amla stanya |
| Sour taste in breast milk | | Sour taste in breast milk | ||
| Pitta dominant dushti | | Pitta dominant dushti | ||
| Cha.Sha.8:55;<br/>S.N.10:24;<br/>AS. U.2:5;<br/>Ah.N.2:3;<br/>M.N.67:2 | | Cha.Sha.8:55;<br/>S.N.10:24;<br/>AS. U.2:5;<br/>Ah.N.2:3;<br/>M.N.67:2 | ||
|- | |- | ||
− | | | + | | Atruptikara stanya |
| Unsatisfactory feeding to infant | | Unsatisfactory feeding to infant | ||
| Vata dominant dushti | | Vata dominant dushti | ||
| Cha.Sha.8:55 | | Cha.Sha.8:55 | ||
|- | |- | ||
− | | | + | | Katuka stanya |
| Pungent taste in breast milk | | Pungent taste in breast milk | ||
| Pitta dominant dushti | | Pitta dominant dushti | ||
| Cha.Sha.8:55;<br/>S.N.10:24;<br/>Ah.N.2:3;<br/>M.N.67:2 | | Cha.Sha.8:55;<br/>S.N.10:24;<br/>Ah.N.2:3;<br/>M.N.67:2 | ||
|- | |- | ||
− | | | + | | Lavana stanya |
| Salty taste in breast milk | | Salty taste in breast milk | ||
| Pitta dominant dushti | | Pitta dominant dushti | ||
| M.N.67:2 | | M.N.67:2 | ||
|- | |- | ||
− | | | + | | Lavana stanya |
| Salty taste in breast milk | | Salty taste in breast milk | ||
| Kapha dominant dushti | | Kapha dominant dushti | ||
Line 569: | Line 569: | ||
| Cha.Sha.8:55 | | Cha.Sha.8:55 | ||
|- | |- | ||
− | | | + | | Tikta stanya |
| Bitter in breast milk | | Bitter in breast milk | ||
| Pitta dominant dushti | | Pitta dominant dushti | ||
| Cha.Sha.8:55 | | Cha.Sha.8:55 | ||
|- | |- | ||
− | | | + | | Virasa stanya |
| Distaste in breast milk | | Distaste in breast milk | ||
− | | | + | | Vata dominant duṣhṭi |
| Cha.Chi.30:237 | | Cha.Chi.30:237 | ||
|- | |- | ||
Line 594: | Line 594: | ||
| Cha.N.4:44;<br/>AS.N.10:8;<br/>M.N.33:16 | | Cha.N.4:44;<br/>AS.N.10:8;<br/>M.N.33:16 | ||
|- | |- | ||
− | | | + | | Katuka mutra |
| Pungent taste | | Pungent taste | ||
− | | | + | | Avikrita mutra |
| S.Sa.12:20 | | S.Sa.12:20 | ||
|- | |- | ||
− | | | + | | Katuka mutra |
| spicy taste | | spicy taste | ||
− | | | + | | Haridra meha |
| Cha.N.4:34;<br/>AS.N.10:8;<br/>Ah.N.1O:15;<br/>M.N.33:14 | | Cha.N.4:34;<br/>AS.N.10:8;<br/>Ah.N.1O:15;<br/>M.N.33:14 | ||
|- | |- | ||
− | | | + | | Lavanatulya mutra |
| salty urine | | salty urine | ||
| Lavanameha | | Lavanameha | ||
| S.N.6:1O | | S.N.6:1O | ||
|- | |- | ||
− | | | + | | Lavanatulya mutra |
| salty urine | | salty urine | ||
| Raktameha | | Raktameha | ||
| Cha.N.4:32;<br/>AS.N.10:8;<br/>Ah.N.10:16;<br/>M.N.33:15 | | Cha.N.4:32;<br/>AS.N.10:8;<br/>Ah.N.10:16;<br/>M.N.33:15 | ||
|- | |- | ||
− | | | + | | Madhura mutra |
| sweet taste | | sweet taste | ||
− | | | + | | prameha purvarupa |
| S.N.6:5;<br/>AS.N.10:7 | | S.N.6:5;<br/>AS.N.10:7 | ||
|- | |- | ||
|colspan="2" rowspan="4" | | |colspan="2" rowspan="4" | | ||
− | | | + | | Hasti meha |
| AS.N.10:8 | | AS.N.10:8 | ||
|- | |- | ||
− | | | + | | Ikshuvalika meha |
| Cha.N.4:11;<br/>AS.N.10:8;<br/>Ah.N.10:9;<br/>M.N.33:8 | | Cha.N.4:11;<br/>AS.N.10:8;<br/>Ah.N.10:9;<br/>M.N.33:8 | ||
|- | |- | ||
Line 641: | Line 641: | ||
| Ah.Su.27:4 | | Ah.Su.27:4 | ||
|- | |- | ||
− | | | + | | Lavana rasa atyupayoga |
| S.Su.42:10:3 | | S.Su.42:10:3 | ||
|- | |- | ||
− | | | + | | Snehana atiyoga |
| AS. Su.25:46 | | AS. Su.25:46 | ||
|- | |- | ||
− | | | + | | Anuvasana atiyoga |
| AS. Su.28. 47 | | AS. Su.28. 47 | ||
|- | |- | ||
− | | | + | | Pitta kasa |
| Ah.N.3:25 | | Ah.N.3:25 | ||
|- | |- | ||
− | | | + | | Paittika hṛidroga |
| Cha.Su.17:33;<br/>AS.N.5:44;<br/>Ah.N.5:41 | | Cha.Su.17:33;<br/>AS.N.5:44;<br/>Ah.N.5:41 | ||
|- | |- | ||
− | | | + | | Paittika ajirna |
| AS.Su.11:33;<br/>Ah.Su.8:26 | | AS.Su.11:33;<br/>Ah.Su.8:26 | ||
|- | |- | ||
Line 665: | Line 665: | ||
| M.N 51 :2 | | M.N 51 :2 | ||
|- | |- | ||
− | | | + | | Kaphapaittika amlapitta |
| M.N 51 :11 | | M.N 51 :11 | ||
|- | |- | ||
− | | | + | | Urdhvaga amlapitta |
| M.N 51 :5 | | M.N 51 :5 | ||
|- | |- | ||
− | | | + | | Grahani purvarupa |
| AS. N.8:21;<br/>Ah.N.8:19 | | AS. N.8:21;<br/>Ah.N.8:19 | ||
|- | |- | ||
− | | | + | | Grahani |
| Cha.Chi.15:S4;<br/>S.U.40:175 | | Cha.Chi.15:S4;<br/>S.U.40:175 | ||
|- | |- | ||
− | | | + | | Pitta grahaṇi |
| Cha.Chi.IS:66# As.<br/>N.8:27#<br/>Ah.N.8:26#<br/>M.N.4:12 | | Cha.Chi.IS:66# As.<br/>N.8:27#<br/>Ah.N.8:26#<br/>M.N.4:12 | ||
|- | |- | ||
− | | | + | | Paittika gulma |
| Cha.Ni.3:9;<br/>AS. N.11 :38;<br/>Ah.N.11:44 | | Cha.Ni.3:9;<br/>AS. N.11 :38;<br/>Ah.N.11:44 | ||
|- | |- | ||
− | | | + | | Pitta jwara |
| AS. N.2:4;<br/>Ah.N.2:19 | | AS. N.2:4;<br/>Ah.N.2:19 | ||
|- | |- | ||
− | | | + | | Sheeta jwara |
| AS. N.2:36;<br/>Ah.N.2:37 | | AS. N.2:36;<br/>Ah.N.2:37 | ||
|- | |- | ||
− | | | + | | Pitta pandu |
| Cha.Chi.16:22;<br/>AS. N.13: 12;<br/>Ah.N.13: 11 | | Cha.Chi.16:22;<br/>AS. N.13: 12;<br/>Ah.N.13: 11 | ||
|- | |- | ||
− | | | + | | Raktapitta purvarupa |
| Cha.N.2:6;<br/>AS. N.3:6;<br/>Ah.N.3:4 | | Cha.N.2:6;<br/>AS. N.3:6;<br/>Ah.N.3:4 | ||
|- | |- | ||
− | | | + | | Arsha purvarupa |
| S.N.2:8;<br/>AS. N.7:7;<br/>Ah.N.7: 18 | | S.N.2:8;<br/>AS. N.7:7;<br/>Ah.N.7: 18 | ||
|- | |- | ||
Line 701: | Line 701: | ||
| Cha.Chi.14:8 | | Cha.Chi.14:8 | ||
|- | |- | ||
− | | | + | | Pitta prameha |
| S.N.6: 13;<br/>AS. N.10:10;<br/>Ah.N.10:23;<br/>M.N.33:19 | | S.N.6: 13;<br/>AS. N.10:10;<br/>Ah.N.10:23;<br/>M.N.33:19 | ||
|- | |- | ||
− | | | + | | paittika upavishtaka |
| AS. Sa.4: 17 | | AS. Sa.4: 17 | ||
|- | |- | ||
− | | | + | | katu-udgara |
| spicy taste and smell in belching | | spicy taste and smell in belching | ||
− | | | + | | Rakta prakopa |
| Ah.Su.27:4 | | Ah.Su.27:4 | ||
|- | |- | ||
| | | | ||
| | | | ||
− | | | + | | Kaphaja amlapitta |
| M.N.51:11 | | M.N.51:11 | ||
|- | |- | ||
| Madhuraasyata | | Madhuraasyata | ||
| Sweet taste | | Sweet taste | ||
− | | | + | | Kaphaja grahaṇi |
| Cha.Chi.15:69;<br/>AS. N.8:30;<br/>Ah.N.8:28;<br/>M.N. 4: IS | | Cha.Chi.15:69;<br/>AS. N.8:30;<br/>Ah.N.8:28;<br/>M.N. 4: IS | ||
|- | |- | ||
Line 728: | Line 728: | ||
|- | |- | ||
|colspan="2" rowspan="6" | | |colspan="2" rowspan="6" | | ||
− | | | + | | Paittika hridroga |
| Cha.Su.17:33 | | Cha.Su.17:33 | ||
|- | |- | ||
Line 734: | Line 734: | ||
| M.N. 51:2 | | M.N. 51:2 | ||
|- | |- | ||
− | | | + | | Kaphapittaja amlapitta |
| M.N. 51:11 | | M.N. 51:11 | ||
|- | |- | ||
− | | | + | | Urdhvaga amlapitta |
| M.N. 51:5 | | M.N. 51:5 | ||
|- | |- | ||
− | | | + | | Grahani |
| C.Ci.15:54;<br/>S.U.40: 175 | | C.Ci.15:54;<br/>S.U.40: 175 | ||
|- | |- | ||
Line 750: | Line 750: | ||
== Rasa as a guiding tool for preventive and promotive health == | == Rasa as a guiding tool for preventive and promotive health == | ||
=== Seasons and Rasa<ref>AyuSoft Team. Rasa-Siddhaanta Tastes: All Useful all Over [Internet]. 2006 [cited 2022 Oct 9]. Available from: https://ayusoft.ayush.gov.in/rasa-siddhaanta-tastes-all-useful-all-over/</ref> === | === Seasons and Rasa<ref>AyuSoft Team. Rasa-Siddhaanta Tastes: All Useful all Over [Internet]. 2006 [cited 2022 Oct 9]. Available from: https://ayusoft.ayush.gov.in/rasa-siddhaanta-tastes-all-useful-all-over/</ref> === | ||
− | <div style='text-align:justify;'>The tastes of naturally growing substances differ according to climatic conditions and and seasons. The table represents names and basic characteristics of the common seasonal divisions in India. The sun moves to the north or south, but it always rises in the east and sets in the west. The movement to the north removes a lot of water from the overall environment, but the movement to the south allows water to enter or stay in the plants' surroundings. This is what determines whether plants in an ecosystem have access to fewer or more main elemental (mahabhuta) components. The plant kingdom's domination of one taste is due to their diverse contributions. This discovery regarding the taste of the majority of plants and the related characteristics of five element dominance has led to an understanding of the percentages of elements contributing.</div> | + | <div style='text-align:justify;'>The tastes of naturally growing substances differ according to climatic conditions and and seasons. The table represents names and basic characteristics of the common seasonal divisions in India. The sun moves to the north or south, but it always rises in the east and sets in the west. The movement to the north removes a lot of water from the overall environment, but the movement to the south allows water to enter or stay in the plants' surroundings. This is what determines whether plants in an ecosystem have access to fewer or more main elemental ([[Pancha mahabhuta|mahabhuta]]) components. The plant kingdom's domination of one taste is due to their diverse contributions. This discovery regarding the taste of the majority of plants and the related characteristics of five element dominance has led to an understanding of the percentages of elements contributing.</div> |
{| class="wikitable" style="align:left;" | {| class="wikitable" style="align:left;" | ||
Line 760: | Line 760: | ||
! Dosha Dominance | ! Dosha Dominance | ||
|- | |- | ||
− | | Shishira (Cold) | + | | [[Shishira|Shishira]] (Cold) |
| Uttara (north) | | Uttara (north) | ||
− | | Vayu+ Akasha | + | | [[Vayu mahabhuta|Vayu]] + [[Akasha mahabhuta|Akasha]] |
− | | Tikta (bitter) | + | | [[Tikta|Tikta (bitter)]] |
| Shita | | Shita | ||
− | | Kapha | + | | [[Kapha|Kapha]] |
|- | |- | ||
− | | Vasanta (warm) | + | | [[Vasanta|Vasanta]] (warm) |
| Uttara (north) | | Uttara (north) | ||
− | | Vayu + Prithvi | + | | [[Vayu mahabhuta|Vayu]] + [[Prithvi mahabhuta|Prithvi]] |
− | | Kashaya (astringent) | + | | [[Kashaya|Kashaya (astringent)]] |
| Shita | | Shita | ||
− | | Kapha | + | | [[Kapha|Kapha]] |
|- | |- | ||
− | | | + | | [[Grishma|Grishma]] (hot) |
| Uttara (north) | | Uttara (north) | ||
− | | Vayu + Teja | + | | [[Vayu mahabhuta|Vayu]] + [[Agni mahabhuta|Teja]] |
− | | Katu (pungent) | + | | [[Katu|Katu (pungent)]] |
| Ushna | | Ushna | ||
− | | Vata | + | | [[Vata dosha|Vata]] |
|- | |- | ||
− | | Varshaa (rains) | + | | [[Varsha|Varshaa]] (rains) |
| Dakshina (south) | | Dakshina (south) | ||
− | | Jala + Agni | + | | [[Jala mahabhuta|Jala]] + [[Agni mahabhuta|Agni]] |
− | | Amla (sour) | + | | [[Amla|Amla (sour)]] |
| Ushna | | Ushna | ||
− | | Vata | + | | [[Vata dosha|Vata]] |
|- | |- | ||
− | | Sharada (moist hot) | + | | [[Sharad|Sharada]] (moist hot) |
| Dakshina (south) | | Dakshina (south) | ||
− | | Prithvi + Teja | + | | [[Prithvi mahabhuta|Prithvi]] + [[Agni mahabhuta|Teja]] |
− | | Lavana (salty) | + | | [[Lavana|Lavana (salty)]] |
| Ushna | | Ushna | ||
− | | Pitta | + | | [[Pitta|Pitta]] |
|- | |- | ||
− | | Hemant (cool) | + | | [[Hemanta|Hemant]] (cool) |
| Dakshina (south) | | Dakshina (south) | ||
− | | Prithvi + Jala | + | | [[Prithvi mahabhuta|Prithvi]] + [[Jala mahabhuta|Jala]] |
− | | Madhura (sweet / bland) | + | | [[Madhura|Madhura (sweet / bland)]] |
| Shita | | Shita | ||
− | | Kapha | + | | [[Kapha|Kapha]] |
|- | |- | ||
|} | |} | ||
− | === | + | === Ritu Haritaki- changes in administration of medicines as per season === |
− | <div style='text-align:justify;'>Here is an illustration of how judicious | + | <div style='text-align:justify;'>Here is an illustration of how judicious combination of different substances with varied tastes along with haritaki serve the purpose of mitigating ill effect in six seasons. This is one among the many applications of rasa theory in ayurvedic practice. The details are as follows: <br/>The drug is significantly prescribed in therapeutic as well as preventive use and process of restorative or alternative indication (rasayana karma), and it is classically recommended as rituharitaki for using the drug during the course of different seasons viz., |
− | * Varsha (rains) | + | * [[Varsha|Varsha]] (rains) – saindhava lavana (rock salt) |
− | * Sharada ritu(autumn)- sharkara(sugar) | + | * [[Sharad|Sharada]] ritu(autumn) - sharkara (sugar) |
− | * Hemanta(cold/winter)-Shunthi (dry ginger) | + | * [[Hemanta|Hemanta]] (cold/winter) - [[Shunthi|Shunthi (dry ginger)]] |
− | * Shishira ( | + | * [[Shishira|Shishira]] (late winter early spring)- [[Pippali|pippali(long pepper)]] |
− | * Vasanta (spring)- madhu(honey) | + | * [[Vasanta|Vasanta]] (spring) - madhu (honey) |
− | * Grishma(summer)- guda(jaggery)<ref>Ram TS, Bandari S, Ala Narayana. Pragmatic usage of Haritaki (Terminalia chebula retz): an ayurvedic perspective vis-à-vis current practice. Int J Ayurveda Pharma Res. 2013;1(3):72–82.</ref> </div> | + | * [[Grishma|Grishma]] (summer)- guda (jaggery)<ref>Ram TS, Bandari S, Ala Narayana. Pragmatic usage of Haritaki (Terminalia chebula retz): an ayurvedic perspective vis-à-vis current practice. Int J Ayurveda Pharma Res. 2013;1(3):72–82.</ref> </div> |
== Theses done == | == Theses done == | ||
Line 821: | Line 821: | ||
== Future scope of research == | == Future scope of research == | ||
<div style='text-align:justify;'>The exact mechanism of action of rasa to cause disorders needs to be researched and elaborated further. Taste sensitivity can be a valuable tool for the diagnosis of various systemic disorders. The biomarkers for diagnosis of diseases, and identification markers for plants based on taste perception can be investigated. | <div style='text-align:justify;'>The exact mechanism of action of rasa to cause disorders needs to be researched and elaborated further. Taste sensitivity can be a valuable tool for the diagnosis of various systemic disorders. The biomarkers for diagnosis of diseases, and identification markers for plants based on taste perception can be investigated. | ||
− | '''Acknowledgment:''' The technical contribution of Dr Shruti G, SRF (Ay.), and Dr Satyavrat Nanda, R.A (Sanskrit), NIIMH, Hyderabad is duly acknowledged. </div> | + | '''Acknowledgment:''' The technical contribution of Dr Shruti G, SRF (Ay.), and Dr Satyavrat Nanda, R.A (Sanskrit), NIIMH, Hyderabad is duly acknowledged.</div> |
+ | |||
+ | <big>'''[[Special:ContactMe|Send us your suggestions and feedback on this page.]]'''</big> | ||
== References == | == References == |
Latest revision as of 19:04, 23 February 2024
The Sanskrit term “rasa” denotes a wide spectrum of meanings viz. “sap”, “juice”, “essence”, “taste, flavor”, “delight”, “charm,” and “sentiment,” etc. In Ayurveda, the term denotes taste/flavor, primary circulating nutritional fluid (ahararasa), fresh juice of plant (svarasa). In the context of rasashastra it indicates quicksilver, mercury (parada) and other precious metals. In Ayurveda, the primary taste is one of the identifying markers of the dravya. Apart from the contemporary meaning of taste, the concept of rasa has a wider pharmacological approach. The taste plays a vital role in deriving the pharmacological activity profile of the medicines. A physician, well acquainted with the classification of rasa and dosha, seldom commits blunders in ascertaining the etiology, symptomatology, and treatment of diseases.[1] This chapter describes concept of rasa (taste) with its applications in pharmacotherapeutics.
Section/Chapter/topic | Concepts/Rasa |
---|---|
Authors |
T.Saketh Ram1, Deole Y.S.2 |
Reviewer | Basisht G.3, |
Editor | Basisht G.3 |
Affiliations |
1National Institute of Indian Medical Heritage, C.C.R.A.S. Hyderabad, India 2Department of Kayachikitsa, G. J. Patel Institute of Ayurvedic Studies and Research, New Vallabh Vidyanagar, Gujarat, India 3Rheumatologist, Orlando, Florida, U.S.A. |
Correspondence emails |
dr.saketram@gmail.com, dryogeshdeole@gmail.com carakasamhita@gmail.com |
Publisher | Charak Samhita Research, Training and Development Centre, I.T.R.A., Jamnagar, India |
Date of publication: | November 18, 2022 |
DOI | 10.47468/CSNE.2022.e01.s09.115 |
Usage of term “rasa” in different Indian Knowledge systems
The term rasa is used for denoting various meanings in various classical knowledge systems[2] as below.
Name of the Indian Knowledge System | Usage of the term “rasa” |
---|---|
Ayurveda | Taste, flavour as perceived by tongue; Primary circulation nutritional fluid (rasadhatu) Fresh Juice of a plant (svarasa) |
Rasa shastra | Mercury; any precious metal as gold. |
Nyaya, Vaisheshika Darshana | Taste as perceived by tongue; |
Natya shastra (theatrics and dramaturgy), Kavya shastra (science of poetry), Shilpa shastra (iconography) |
“sentiment” or “aesthetic sense” or “emotion”; rasa is the name given to bhava when it is immediately apprehended by the consciousness without veils. Shringara(the erotic), hasya(the comic), karuṇa (the pathetic), raudra (the furious), veera(the heroic), bhayanaka(the fearful), bibhatsa(the disgusting), adbhuta (the wondrous). shanta(the peaceful) |
Ganita shastra (Mathematics and Algebra) | Term denotes number “six” and number “nine”; six is based on six tastes and nine is based on nine emotions; In general practice for six “ritu (seasons)” is employed instead of six tastes e.g. rituchakra denoting sixth group in 72 melakara ragas of Carnatic music. |
Miscellaneous usage | Water, any liquid as milk, ghee, oil etc., nectar, semen, exudation- plant resin etc., |
Etymology & derivation
rasa: masculine vocative singular stem: rasa [3]
As per “Dhatuvritti, 316” the root √rasaderives the meaning “āsvādanasnehanayoḥ (रसआस्वादनस्नेहनयोः।रसयति।रसतिइतिअपिशपि।)” [4] which may be broadly understood in the following manner: The Sanskrit “rasa” is composed of two roots “ra” means “giving” “bestowing” “granting” “yielding” and “sa” means “wisdom” “knowledge” “paradise”. Together these roots create “rasa” meaning “to grant knowledge,” “to yield happiness,” “to bestow paradise,” all of which are the “essence” of life, so the Sanskrit dictionary defines “rasa” as “essence”.
This article deals with the aspect of rasa as taste/flavor.
Definition
Discussion regarding the number of rasa
The number of tastes, which has been the subject of much debate in Charak Samhita and ranges from one to infinite, is ultimately determined to be six.[6] [Cha.Sa. Sutra Sthana 26/28]
Number of Rasas | Details | Proposed by | Explanation by Punarvasu Atreya |
---|---|---|---|
One | Water (apya) | Bhadrakapya | This theory supposes that water (jala) which is the abode (adhara) of the taste (rasa)-attribute (adheya) as one and the same, hence cannot be accepted. |
Two | 1. Sharp, weight reducing (Chhedaniya, langhana) 2. Pacifying, nourishing, weight increasing (upashamaniya, brimhaniya) |
Shakunteya Brahmana | The argument is based on activity of the ingredient and not specific to taste, hence not acceptable. |
Three | Above two and ordinary (Sadharana) | Purnaksha Moudgalya | Same as above |
Four | 1. Liked and wholesome (Svaduhita) 2. Liked but not wholesome (Svadu-ahita) 3. Disliked but wholesome (asvaduhita) 4. Disliked and unwholesome (asvadu-ahita) |
HiranyakshaKoushika | Same as above |
Five | 1. Earth element predominant (Bhauma) 2. Water element predominant (Udaka) 3. Fire element predominant (Agneya) 4. Air element predominant (Vayavya) 5. Space element predominant (Akashiya) |
Kumarashira Bharadwaja | The group represents substances in general and not specific to taste, hence not acceptable. |
Six | 1. Heavy (guru) 2. Light (laghu) 3. Cold (shita) 4. Hot (ushna) 5. Oily (Snigdha) 6. Non-oily, dry (ruksha) |
Vayorvida | The argument is based on activity of the ingredient and not specific to taste, hence not acceptable. |
Seven | 1. Sweet (madhura) 2. Sour (amla) 3. Salt (lavana) 4. Katu (pungent) 5. Bitter (tikta) 6. Astringent (kashaya) 7. Alkaline (kshara) |
Nimi | First six among this group are acceptable, however alkalinity (seventh entity) which is considered as part of saline taste cannot be a separate entity. Hence tastes are six only. |
Eight | Above seven, unperceivable, tastelessness (avyakta) | BadishaDhamargava | In consideration to the above argument and alsoabsurdity of counting tastelessness as a separate taste, this proposition is not acceptable. |
Innumerable | Due to various permutations and combinations tastes are innumerable. | Kankayana | Innumerability of tastes cannot serve the purpose of understanding a substance and its actions as taste as an attribute in a substance (abode) act in consonance with other entities like quality and action. |
Vagbhata’s justification for six rasa count
Taste composition based on five primary elements
According to the Rasavaisheshika, one may deduce the main elemental makeup of tastes based on characteristics (guna). By grouping tastes according to degrees in terms of six major tastes, the Charak Samhita has provided a clear hint and denotes the proportionate existence of fundamental elements in them.
Using this as a criterion, the elemental makeup of tastes may be deduced. Additionally, the relative positions of the components in each taste should be set appropriately so one can understand both the contribution of the critical features and their relative predominance. For instance, sour and salty tastes are fiery (agneya). The salty taste is considered heavier than the sour taste (which has a water element) due to the prominence of the earth element, which is heavier than water element.
Similarly, because the bitter taste is lighter than pungent, the air element is the initial component in the former. Chakrapani's claim that heaviness or lightness cannot be determined based on elemental composition is untrue, since the theory of the five main elements (panchamahabhuta) forms the foundation of Ayurveda, is the only criterion that can be used to determine a substance's qualities.
As previously stated, the elemental makeup of tastes can be deduced from qualities and effects on dosha, tissues, excretory products, digestive fire, and bodily channels. For example, sweet taste promotes kapha dosha, nutriet fluid (rasa), semen (shukra). Therefore it is apparent by the law of similarity (samanya), and distinctness (vishesha) that sweet is likewise comprised of the earth element and water like kapha, etc. Astringent taste hardens watery fecal matter in diarrhea, indicating the presence of earth element. The appealing and pitta-aggravating characteristics of pungent, sour, and salty tastes demonstrate their igneous origin. The presence of space element is demonstrated by the effectiveness of bitter taste in disorders induced by congestion in channels.
Why are just two factors involved in the synthesis of tastes? This is because each taste affects two doshas by aggravating or alleviating them. Sweet taste, for example, soothes two doshas, vata and pitta, and so forth. As a result, the two components represent two doshas.S.No. | Rasa | Charaka Samhita | Sushruta Samhita | AsthangaSangraha | Rasavaisheshika |
---|---|---|---|---|---|
1. | Madhura (sweet) | Aap, prithvi | Prithvi, Aap | Prithvi, Aap | Prithvi, Aap |
2. | Amla (sour) | Prithvi, Agni | Aap, Agni | Prithvi, Agni | Aap, Agni |
3. | Lavana (salty) | Aap, Agni | Prithvi, Agni | Aap, Agni | Agni, Aap |
4. | Katu (pungent) | Vayu, Agni | Vayu, Agni | Vayu, Agni | Vayu, Agni |
5. | Tikta (bitter) | Vayu, Akasha | Vayu, Akasha | Vayu, Akasha | Akasha, Vayu |
6. | Kashaya (astringent) | Vayu, Prithvi | Prithvi, Vayu | Vayu, Prithvi | Prithvi, Vayu |
It is proposed that the taste is directly perceivable when the substance comes in contact with tongue, whereas the elemental composition is understood by inference based on action.[8]
Relationship between taste and three doshaunderstood through elemental composition
Rasa | Prithvi | Aap/Jala | Teja | Vayu | Akasha | Vata | Pitta | Kapha |
---|---|---|---|---|---|---|---|---|
Madhura | + | ++ | Shamaka (pacifies) | Shamaka | Vardhaka (aggravates) | |||
Amla | + | + | Shamaka | Vardhaka | Vardhaka | |||
Lavana | + | + | Shamaka | Vardhaka | Vardhaka | |||
Katu | + | + | Vardhaka | Vardhaka | Shamaka | |||
Tikta | + | + | Vardhaka | Shamaka | Shamaka | |||
Kashaya | + | + | Vardhaka | Shamaka | Shamaka |
Relationship between six important qualities and taste
According to six major properties, the six tastes are arranged in order of degrees of predominance as follows:
Guna | Rasa |
---|---|
Heavy to digest (guru) | Sweet, astringent, salty tastes |
Light to digest (laghu) | Bitter, pungent, sour |
Unctuous (snigdha) | Sweet, sour, salty taste |
Dry (ruksha) | Astringent, pungent, bitter |
Cold (sheeta) | Sweet, astringent, bitter |
Hot (Ushna) | Salty, sour, pungent |
Property | Maximum | Moderate | Minimum |
---|---|---|---|
Dry (ruksha) | Kashaya | Katu | Tikta |
Oily (snigdha) | Madhura | Amla | Lavana |
Hot (ushna) | Lavana | Amla | Katu |
Cold (sheeta) | Kashaya | Madhura | Tikta |
Guru (heavy to digest) | Madhura | Kashaya | Lavana |
Laghu (light to digest) | Tikta | Katu | Amla |
Among the twenty characteristics beginning with heaviness (gurvadiguna), the six listed above are the most prominent, achieving the level of potency (virya). They distinguish three levels of prominence: superior, medium, and inferior. The dravya (substances) with sweet taste predominantly have heavy to digest, unctuous, and cold qualities.
Primary taste and adjunct, secondary taste (anurasa)
Every substance has a primary taste (pradhana rasa) and adjunct or secondary taste (anurasa).
The unmanifested taste is referred to as adjunct taste (anurasa). For example, when chewing chebulic myrobalan (haritaki), an astringent taste is exhibited. While the other four tastes remain unmanifested. Therefore, adjunct taste (anurasa) becomes manifested at the end, such as the emergence of sweet taste, etc. As with Indian gooseberry (amalaki), the sour taste comes first, followed by other tastes.[10]
According to Charak samhita, the first manifested taste of a material when it comes into touch with the tongue in a dry condition is recognized as the principal taste. It signifies that the main taste is the one that remains in the dry state and is experienced clearly. Whereas the adjunct taste is only present in the fresh form and is exhibited minimally towards the end. Chakrapanidatta interprets that taste and adjunct taste can be distinguished by manifestation; the former is manifested in all states, whereas the latter is always unmanifested and is known only by its faint appearance or inference from its action. However, that adjunct taste is felt in the end is a common experience, which is why Vagbhata has modified the definition accordingly.[11]
The effect of tastes on the body
- Sweet taste: Sweet taste pacifies vata and pitta while increasing kapha dosha, increases vigor, and aids elimination. Excessive usage causes polyuria (prameha) and other problems. While its absence may create illnesses related to vata dosha and pitta dosha aggravation.[12]
- Sour taste: Sour taste stimulates kapha dosha and pitta dosha, while pacifying vata. It reduces semen, and serves as a carminative, appetizer, and digestive. Excessive usage produces hyperacidity (amlapitta), and not taking it might cause a decrease in digestive capacity (agnimandya), among other things.[13]
- Salty taste: Salty taste stimulates kapha dosha and pitta dosha, and pacifies vata dosha. It also decreases reproductive components (shukra dhatu) and is carminative, appetizer, digestive, and moistening. When taken in excess, it vitiates the blood and creates oedema. When not taken sufficiently, it causes loss of appetite, and vata-predominant illnesses. The characteristic of salt is moistening (vishyandi). It attracts and dissolves in water. As a result of fluid retention, heavy usage causes blood problems and oedema. That is why salt is not permitted in certain disorders.[14]
- Pungent taste: Pungent tase promotes vata dosha and pitta dosha, while decreasing kapha dosha. It decreases reproductive components (shukra dhatu), regulates vata, stool, and urine flow, and activates digestive functions. When used excessively, it causes vata dosha and pitta dosha disorders. When not used at all, it causes kapha dosha disorders.[15]
- Bitter taste: Bitter taste is absorbent and cleanses channels while soothing kapha dosha and pitta dosha. When used extensively, vata dosha disorders arise.[16]
- Astringent taste: Astringent taste, pacifies kapha dosha and pitta dosha, while increasing vata dosha. It checks and suppresses digestive functions. Excessive usage produces vata prominent illnesses, and non-use causes kapha dosha and pitta dosha predominant ailments, as well as tissue loss.[17]
Detailed description of actions of the tastes[18][19]:
Name of the taste | Action |
---|---|
Sweet taste | Amongst the six rasas, the madhura rasa, because of its suitability to the body, promotes rasa dhatu, rakta, mamsa, meda dhatu, asthi dhatu, majja dhatu, ojas and shukra. It is also conducive to increasing the lifespan of the person, is pleasing to the six sense organs, promotes strength and lustre, alleviates pitta and vayu, neutralizes poisons, and pacifies thirst and heat. It is beneficial for skin, hair, throat and strength and is nourishing, vitalizing, saturating, bulk-promoting and stabilizing. It promotes healing of wounds of the emaciated. It provides good feeling in nose, mouth, throat, lips and tongue; alleviates fainting, is most liked by the bees and ants, and is unctuous, cold and heavy.
Madhura rasa atiyoga (Effects of over consumption of sweet taste) [NAMC Code- Q-12.1] This rasa, though having so many qualities, if used singly and excessively, causes obesity, softness, laziness, excessive sleep, heaviness, loss of desire for food, poor digestion with mildness of appetite, abnormal growth in mouth and throat, dyspnea, cough, coryza, alasaka, fever with shivering, hardness of stool, sweetness in mouth, vomiting, loss of consciousness and voice, goitre, cervical adenitis, filariasis, pharyngitis, (mucous) coating in bladder, arteries and throat, eye diseases, conjunctivitis etc |
Sour taste | Amla rasa makes food relishing, stimulates agni, enhances body bulk and energizes it, awakens the mind, firms the sense organs, increases bala (strength), causes vatanulomana (normal movement of vata), nourishes the heart, increases secretions in the mouth, propels, moistens, and digests food, gives satisfaction, and is light, hot and unctuous.
Amla rasa atiyoga (Effects of over consumption of sour taste) [NAMC:Q-12.2] This, though endowed with so many qualities, if used singly and excessively, makes teeth sensitive, causes thirst, causes closure of eyes, raises the body hair, liquifies kapha, aggravates pitta, affects blood morbidity, causes inflammation in muscles and laxity in body, produces swelling in wasted, injured, emaciated and debilitated persons, because of its agneya nature causes suppuration in wounds, injuries, bites, burns, fractures, swellings, dislocations, poisoned spots due to urination and contact of insects, compressed, excised, incised, punctured and crushed etc., and causes burning sensation in throat, chest and the cardiac region |
Salt | Lavana rasa is digestive, moistening, appetizing, pouring, expectorant, mass-breaking, irritant, laxative, quickly spreading in body, oozing, space-creating, vata alleviating, diminishes stiffness, viscid, diminishes the perception of other tastes if added in excess, increases secretions in mouth, liquefies kapha, cleanses channels, softens all the body-parts, gives relish to food, is a supplement of food. It is not very heavy, unctuous and hot.
Lavana rasa atiyoga (Effects of over consumption of salty taste) [NAMC:Q-12.3] This, though having so many qualities, if used singly and excessively, vitiates pitta, aggravates rakta, causes thirst, fainting, heat, tearing, sloughing, increases leprosy and other skin diseases, aggravates poisons, weakens teeth, aggravates inflammations, impairs potency, hinders sense organs, gives rise to wrinkles, grey hair and baldness, and also produces disorders like internal hemorrhage, acid gastritis, erysipelas, vatarakta, eczema, alopecia etc. |
Pungent taste | Katu rasa cleanses mouth, stimulates digestion, absorbs food, causes secretion from the nose and eyes, makes the sense organs clear, alleviates alasaka, swelling, corpulence, urticarial patches, blocked channels, unction, sweating, moisture and dirt, making food relishing, destroys itching, depresses wounds, kills germs, scrapes muscles, checks the coagulation of blood, cuts the bindings, expands the channels, pacifies kapha, and is light, hot and rough.
Katu rasa atiyoga (Effects of over consumption of pungent taste)[NAMC:Q-12.4] This though having so many properties, if used singly and excessively, can damage sexual potency due to the effect of vipaka, cause mental confusion, malaise, depression, emaciation, fainting, bending, feeling of darkness, giddiness, burning in throat, body-heat, loss of strength and thirst due to the effect of rasa and veerya and prabhava, over and above, due to abundance of vayu and agni, it produces vatika disorders in feet, hands, sides, back etc. particularly with symptoms like dizziness, burning pain, tremors, piercing and tearing pains. |
Bitter taste | Tikta rasa, though itself non-relishing, enhances appetite, is anti-poison, anthelmintic, alleviates fainting, burning sensation, itching, skin disorders and thirst, provides firmness to skin and muscles, is antipyretic, appetizer, digestive, galactodepurant (i.e., an agent that cleanses any adverse reaction of milk), lekhana (making thin), absorbs moisture, reduces fat, muscle-fat, marrow, lymph, pus, sweat, urine, feces, pitta and kapha; and is rough, cold and light.
Tikta rasa atiyoga (Effects of over consumption of bitter taste) [NAMC:Q-12.5] This, though possessing so many qualities, if used singly and excessively, on account of its roughness, coarseness and non-sliminess, dries up rasa dhatu, rakta dhatu, mamsa dhatu, meda dhatu, asthi dhatu, majja dhatu and shukra dhatu, causes coarseness in channels, takes away strength, produces emaciation, malaise, mental confusion, giddiness, dryness of mouth and other vatika disorders |
Astringent taste | Kashaya rasa is pacifying, astringent, union-promoting, compressing, healing, absorbing, checking (discharges), pacifies kapha, rakta and pitta, utilizes the body fluid, is rough, cold and slightly light.
Kashaya rasa atiyoga (Effects of over consumption of astringent taste) [NAMC: Q-12.6] This, though possessing so many qualities, if used singly and excessively, dries up mouth, causes heart-ache, it causes distended abdomen, obstructs speech, constricts body channels, darkens complexion, decreases reproductive potency, delays digestion, causes distension of abdomen, checks flatus, urine, feces and semen, produces emaciation, malaise, thirst, stiffness, and because of its coarseness, non-sliminess and roughness, causes vatika disorders like hemiplegia, spasm, convulsions, facial paralysis etc. |
Dosha | First | Second | Third |
---|---|---|---|
Vata | Lavana | Amla | Madhura |
Pitta | Tikta | Madhura | Kashaya |
Kapha | Katu | Tikta | Kashaya |
Combination of tastes
Combination of two rasa | 15 |
Combination of three rasa | 20 |
Combination of four rasa | 15 |
Combination of five rasa | 6 |
Combination of all the six rasa | 1 |
Singly (each rasa) | 6 |
Total | 63 |
---|
Taste perception: Current understanding
As per current biomedical understanding, there are five primary taste sensations viz., salty sour sweet bitter umami ()
Overview of the mechanism of taste perception[22]
Taste | Plausible mechanism of taste detection |
---|---|
Salty | The sodium ion channel that is activated by table salt (NaCl) in mice and possibly humans allows sodium ions (Na) to enter the cell directly, depolarizing it and causing action potentials in neighboring sensory neurons. The hormone aldosterone increases the number of these salt receptors in laboratory animals and maybe in humans. Biologically, this makes sense: Aldosterone's primary job is to keep the body's salt levels regular. An animal suffering from sodium deficiency (typically an issue for ungulates, including cattle and deer) would benefit from having a higher sensitivity to salt in its meal. |
Sour | Protons (H) released by sour substances are detected by sour receptors (acids). This causes transmembrane K channels to close, which causes the cell to become depolarized and release the neurotransmitter serotonin into the space where it connects to a sensory neuron. |
Sweet | G-protein-coupled receptors (GPCRs) are found on the cell surface and bind to sweet compounds (such sucrose, the table sugar). Each receptor consists of two T1R2 and T1R3 subunits that are connected to G proteins. Due of the G protein complex's structural and functional resemblance to the transducin, which is so crucial to rod vision, it has been given the name gustducin. A series of intracellular processes are triggered by gustducin activation, including the synthesis of the second messengers inositol trisphosphate (IP3) and diacylglycerol (DAG). This allows for the entry of Na ions, which depolarizes the cell and causes the release of ATP, which sets off action potentials in neighboring sensory neurons. It also releases intracellular Ca reserves. Leptin opens the K channels in sweet cells to suppress them. As a result, the cell becomes hyperpolarized, which makes it more challenging for action potentials to form. |
Bitter | Bitter compounds like quinine and phenylthiocarbamide [PTC] bind to gustducin-coupled G-protein-coupled receptors as well, and the signaling pathway is the same as for sweet drugs (and umami). Each taste cell sensitive to bitter expresses several (4–11) of the 25 distinct bitter receptors ("T2Rs") that are encoded by human genes. Despite this, and for reasons that are still unknown, a single taste cell appears to respond to certain bitter-tasting molecules in preference to others. (This is in stark contrast to the system in olfaction where a single odor-detecting cell expresses only a single type of odour receptor.) The brain is where all sensations, including taste, originate. Transgenic mice express a receptor for a tasteless substance in cells that normally express T2Rs (bitter), which are repulsed by the tasteless material, and T2Rs in cells that normally express T1Rs (sweet), which respond to bitter things as though they were sweet. Therefore, neither the chemicals nor the receptors themselves, but rather the activation of hard-wired neurons, determines the perception of taste. |
Umami | The reaction to glutamic acid salts, such as monosodium glutamate (MSG), a taste enhancer found in many processed foods and many Asian meals, is known as umami. Additionally, glutamate is present in processed cheeses and meats (proteins). On G-protein-coupled receptors that are connected to heterodimers of the protein components T1R1 and T1R3, amino acids, including glutamic acid, bind. The subsequent signalling chain is identical to that for sweet and bitter. |
The generic purpose of taste perception
The taste system encodes information about the quantity as well as the identity of stimuli. Generally speaking, the perceived intensity of flavour increases with increasing stimulus concentration. However, the majority of ingested tastants have fairly high threshold concentrations. For instance, the threshold value for sucrose is 20 mM, 10 mM for salt (NaCl), and roughly 2 mM for citric acid. Taste cells may only react to relatively high quantities of these necessary elements to promote an optimal intake since the body needs substantial concentrations of salt and carbs. The ability to identify potentially harmful substances (such bitter-tasting plant components) at far lower quantities is clearly helpful for the taste system. As a result, the threshold value for strychnine is 0.0001 mM and 0.008 mM for quinine. Gustatory sensitivity decreases with age, just as olfaction. Adults typically season food with more salt and spices than do kids. The decreased sensitivity to salt can be troublesome for older adults with issues with electrolyte and/or fluid balance. Unfortunately, there isn't presently a secure and reliable NaCl alternative.[24]
Misconceptions about taste perception
Two frequent misunderstandings about taste perception exist. Which are as follows:
- Rigid demarcation of certain areas on the tongue for each taste(15). The proposition that sweet is perceived at the tip of the tongue, salt along posterolateral edges, sour along mediolateral edges and bitter on theback of the tongue is initially proposed in 1901 by DeiterHanig. He has measured taste thresholds for NaCL, sucrose, quinine and hydrochloric acid (HCl). The proposition does not negate that rest of the areas are incapable of perceiving certain taste. It merely indicates that certain areas are more sensitive to perceive certain taste. However, certain areas having more sensitivity helps to adjust the behaviour of a person for intake of certain food item etc., e.g.
- Sweet taste: Since sweet substances provide pleasurable sensations, the tip of the tongue is especially sensitive to them, and input from this area stimulates feeding behaviours such mouth movements, salivary production, insulin release, and swallowing.
- The back of the tongue does indeed respond to bitter chemicals the best. Bitter chemicals that activate this region cause the tongue to protrude and other defensive reflexes that stop swallowing.
- Sour substances cause grimaces, puckering reactions, and a lot of salivation to be secreted to mask the tastant.[26]
- The idea that there are only four "basic" tastes—salt, sweet, sour, and bitter—is another fallacy about taste perception.If this were the case, then any combination of these "primaries" could represent any taste. These four tastes do represent unique sensations, yet it is evident that this categorization is constrained. Additional tastes that people feel include astringency (from cranberries and tea), pungency (from hot pepper and ginger), fattiness, starchiness, and various metallic tastes (to name but a few). But none of this fall under any of these four groups. Additionally, in some cultures, certain tastes are regarded as "primary." For instance, the Japanese believe that the tastes of monosodium glutamate differs from that of salt and even give it a new name ("umami," which translates to "delicious"). Last but not least, combining different compounds can produce completely different tastes. It is possible to estimate the number of scents that are perceived (about 10,000), but due to these uncertainties, it is challenging to determine the number of tastes. There is no obvious connection between "basic" perceptual classes and the cellular and molecular machinery of sensory transduction in either taste or olfaction.[27]
Applications of taste perception
Nutrition: Importance of using all the six tastes judiciously
Taste perception as a tool for the diagnosis of disorders
An illustrative list of conditionsthat can be identified based on the taste are as follows[29] :
Taste | English translation | Disease | Reference |
---|---|---|---|
Kashaya anurasa stanya | astringent taste in breast milk | Vata dominant dushti | A.S.Su.36:16, Cha.Sha.8:55; S.N.JO:23; AS.U.2:4; Ah.N.2:3; M.N.67:2 |
Amla stanya | Sour taste in breast milk | Pitta dominant dushti | Cha.Sha.8:55; S.N.10:24; AS. U.2:5; Ah.N.2:3; M.N.67:2 |
Atruptikara stanya | Unsatisfactory feeding to infant | Vata dominant dushti | Cha.Sha.8:55 |
Katuka stanya | Pungent taste in breast milk | Pitta dominant dushti | Cha.Sha.8:55; S.N.10:24; Ah.N.2:3; M.N.67:2 |
Lavana stanya | Salty taste in breast milk | Pitta dominant dushti | M.N.67:2 |
Lavana stanya | Salty taste in breast milk | Kapha dominant dushti | Cha.Sha.8:55; AS.U.2:6; Ah.N.2:4 |
Madhura stanya | sweet taste in breast milk | Kapha dominant dushti | Cha.Sha.8:55 |
Tikta stanya | Bitter in breast milk | Pitta dominant dushti | Cha.Sha.8:55 |
Virasa stanya | Distaste in breast milk | Vata dominant duṣhṭi | Cha.Chi.30:237 |
Amla mutra | Urine with sour smell and taste | Amlameha | S.N.6:1l |
Amla mutra | Urine with sour smell and taste | Nilameha | Cha.N.4:3; AS.N.10:8 |
Kashaya- madhura-mutra | Astringent and sweet taste in urine | Madhumeha | Cha.N.4:44; AS.N.10:8; M.N.33:16 |
Katuka mutra | Pungent taste | Avikrita mutra | S.Sa.12:20 |
Katuka mutra | spicy taste | Haridra meha | Cha.N.4:34; AS.N.10:8; Ah.N.1O:15; M.N.33:14 |
Lavanatulya mutra | salty urine | Lavanameha | S.N.6:1O |
Lavanatulya mutra | salty urine | Raktameha | Cha.N.4:32; AS.N.10:8; Ah.N.10:16; M.N.33:15 |
Madhura mutra | sweet taste | prameha purvarupa | S.N.6:5; AS.N.10:7 |
Hasti meha | AS.N.10:8 | ||
Ikshuvalika meha | Cha.N.4:11; AS.N.10:8; Ah.N.10:9; M.N.33:8 | ||
Madhumeha | Ah.N.10:40 | ||
Sitameha | Cha.Ni.4:19; AS.N.10:8; M.N.33:11 | ||
Amlodgara | Sour taste and smell in belching | Pittakopa | S.Su.21:27 |
Raktakopa | Ah.Su.27:4 | ||
Lavana rasa atyupayoga | S.Su.42:10:3 | ||
Snehana atiyoga | AS. Su.25:46 | ||
Anuvasana atiyoga | AS. Su.28. 47 | ||
Pitta kasa | Ah.N.3:25 | ||
Paittika hṛidroga | Cha.Su.17:33; AS.N.5:44; Ah.N.5:41 | ||
Paittika ajirna | AS.Su.11:33; Ah.Su.8:26 | ||
Panajirna | S.U.47:20 | ||
Amlapitta | M.N 51 :2 | ||
Kaphapaittika amlapitta | M.N 51 :11 | ||
Urdhvaga amlapitta | M.N 51 :5 | ||
Grahani purvarupa | AS. N.8:21; Ah.N.8:19 | ||
Grahani | Cha.Chi.15:S4; S.U.40:175 | ||
Pitta grahaṇi | Cha.Chi.IS:66# As. N.8:27# Ah.N.8:26# M.N.4:12 | ||
Paittika gulma | Cha.Ni.3:9; AS. N.11 :38; Ah.N.11:44 | ||
Pitta jwara | AS. N.2:4; Ah.N.2:19 | ||
Sheeta jwara | AS. N.2:36; Ah.N.2:37 | ||
Pitta pandu | Cha.Chi.16:22; AS. N.13: 12; Ah.N.13: 11 | ||
Raktapitta purvarupa | Cha.N.2:6; AS. N.3:6; Ah.N.3:4 | ||
Arsha purvarupa | S.N.2:8; AS. N.7:7; Ah.N.7: 18 | ||
Sahaja arsha | Cha.Chi.14:8 | ||
Pitta prameha | S.N.6: 13; AS. N.10:10; Ah.N.10:23; M.N.33:19 | ||
paittika upavishtaka | AS. Sa.4: 17 | ||
katu-udgara | spicy taste and smell in belching | Rakta prakopa | Ah.Su.27:4 |
Kaphaja amlapitta | M.N.51:11 | ||
Madhuraasyata | Sweet taste | Kaphaja grahaṇi | Cha.Chi.15:69; AS. N.8:30; Ah.N.8:28; M.N. 4: IS |
Tiktaudgara | Belching with the bitter taste | Raktadushti | Cha.Su.24:14 |
Paittika hridroga | Cha.Su.17:33 | ||
Amlapitta | M.N. 51:2 | ||
Kaphapittaja amlapitta | M.N. 51:11 | ||
Urdhvaga amlapitta | M.N. 51:5 | ||
Grahani | C.Ci.15:54; S.U.40: 175 | ||
Sahaja arsha | C.Ci.14:8 |
Rasa as a guiding tool for preventive and promotive health
Seasons and Rasa[30]
Name of season | Ayana Solar move to direction | Mahaabhautika dominance as observed | Rasotpatti Dominant taste | Veerya of the Rasa | Dosha Dominance |
---|---|---|---|---|---|
Shishira (Cold) | Uttara (north) | Vayu + Akasha | Tikta (bitter) | Shita | Kapha |
Vasanta (warm) | Uttara (north) | Vayu + Prithvi | Kashaya (astringent) | Shita | Kapha |
Grishma (hot) | Uttara (north) | Vayu + Teja | Katu (pungent) | Ushna | Vata |
Varshaa (rains) | Dakshina (south) | Jala + Agni | Amla (sour) | Ushna | Vata |
Sharada (moist hot) | Dakshina (south) | Prithvi + Teja | Lavana (salty) | Ushna | Pitta |
Hemant (cool) | Dakshina (south) | Prithvi + Jala | Madhura (sweet / bland) | Shita | Kapha |
Ritu Haritaki- changes in administration of medicines as per season
The drug is significantly prescribed in therapeutic as well as preventive use and process of restorative or alternative indication (rasayana karma), and it is classically recommended as rituharitaki for using the drug during the course of different seasons viz.,
- Varsha (rains) – saindhava lavana (rock salt)
- Sharada ritu(autumn) - sharkara (sugar)
- Hemanta (cold/winter) - Shunthi (dry ginger)
- Shishira (late winter early spring)- pippali(long pepper)
- Vasanta (spring) - madhu (honey)
- Grishma (summer)- guda (jaggery)[31]
Theses done
- Kalpesh Panara. A Phytopharmacological Study on Certain Amla Rasa Predominant Plants w.s.r. to their Atiyoga. Post Graduate dissertation. Department of Dravyaguna Vigyan. I.P.G.T.& R.A., Jamnagar. 2012.
- Krutika Joshi. A phytopharmacological study of certain Katu Rasa predominant plants wsr to their Atiyoga. Post Graduate dissertation. Department of Dravyaguna Vigyan. I.P.G.T.& R.A., Jamnagar. 2012.
- Rasika Kolhe. A Phyto-pharmacological Study on Certain Kashaya Rasa Predominant Plants w.s.r. their Atiyoga. Post Graduate dissertation. Department of Dravyaguna Vigyan. I.P.G.T.& R.A., Jamnagar. 2012.
- Shital Mehta. A Phyto-pharmacological Evaluation on Certain Tikta Rasa Predominant Plant w.s.r. to Atiyoga. Post Graduate dissertation. Department of Dravyaguna Vigyan. I.P.G.T.& R.A., Jamnagar. 2012.
Future scope of research
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References
- ↑ Nishteswar K. Watermark of original Ayurveda: Is it fading away in current clinical practice and research? Ayu [Internet]. 2014 [cited 2022 Oct 10];35(3):219. Available from: /pmc/articles/PMC4649574/
- ↑ https://www.wisdomlib.org/definition/rasa.
- ↑ Sanskrit Dictionary. Accessed November 9, 2022. https://sanskritdictionary.com/?q=rasa
- ↑ रस (rasa) - KST (Online Sanskrit Dictionary). Accessed November 9, 2022.
https://kosha.sanskrit.today/word/sa/rasa/cōnv̮back('f’)oot̮krm̮1395̮05 - ↑ Sharma P. Dravyagunsutram. 1st ed. Varanasi: Chaukhamba Sanskrit Sansthan; 1994. p. 46.
- ↑ Sharma P. Dravyaguna Vijnana, Part-1 (Moulik Siddhant). Revised Go. Varanasi: Chaukhambha Bharati Academy; 2010. 190–262 p.
- ↑ Vagbhata, Srikantha Murthy (Translation). Ashtangasangraha, Vol-1, Sutrasthana. 9 th. Varanasi: Chaukhambha Orientalia; 2007. P.330-311 (A.S.Su.17.31-43).
- ↑ Rasanartho…. Ca. Su. 1/64, तेनिर्धार्यन्तेऽनुमानत्, र. वै
- ↑ AyuSoft Team. Rasa-Siddhaanta Tastes: All Useful all Over [Internet]. 2006 [cited 2022 Oct 9]. Available from: https://ayusoft.ayush.gov.in/rasa-siddhaanta-tastes-all-useful-all-over/
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 61.
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 61.
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 53-54.
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 54
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 55.
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 55.
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 57.
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 57.
- ↑ S.D. D, A.N. S, A. S, Y. S. D. Atreyabhadrakapyiya Adhyaya. Charak Samhita New Ed. 2020;28–28.
- ↑ Saketh Ram et al. National Ayurveda Morbidity Codes (NAMC). In: National Ayush Morbidity and Standardized Electronic (NAMASTE) Portal [Internet]. New Delhi: Ministry of Ayush, Government of India; 2017. Available from: http://namstp.ayush.gov.in/#/Ayurveda
- ↑ AyuSoft Team. Rasa-Siddhaanta Tastes: All Useful all Over [Internet]. 2006 [cited 2022 Oct 9]. Available from: https://ayusoft.ayush.gov.in/rasa-siddhaanta-tastes-all-useful-all-over/
- ↑ A.H.Su. 10: 40-43; 1. M.S V. The Legacy of Vagbhata. First. Universities Press (India) Private Limited; 2009.; S.U.63:7-15; 1. M.S V. The Legacy of Sushruta. First. Orient Longman Private Limited; 2007.p.117-118
- ↑ Kimball JW. 15.9G: Taste. Published 2022. Accessed November 8, 2022. https://bio.libretexts.org/Bookshelves/Introductory_and_General_Biology/Book%3A_Biology_(Kimball)/15%3A_The_Anatomy_and_Physiology_of_Animals/15.09%3A_Senses/15.9G%3A_Taste
- ↑ Purves D, Augustine GJ, Fitzpatrick D, Katz LC, LaMantia A-S, McNamara JO, et al. Taste Perception in Humans. 2001 [cited 2022 Oct 9]; Available from: https://www.ncbi.nlm.nih.gov/books/NBK10833/
- ↑ Purves D, Augustine GJ, Fitzpatrick D, Katz LC, LaMantia A-S, McNamara JO, et al. Taste Perception in Humans. 2001 [cited 2022 Oct 9]; Available from: https://www.ncbi.nlm.nih.gov/books/NBK10833/
- ↑ Kimball JW. 15.9G: Taste. Published 2022. Accessed November 8, 2022. https://bio.libretexts.org/Bookshelves/Introductory_and_General_Biology/Book%3A_Biology_(Kimball)/15%3A_The_Anatomy_and_Physiology_of_Animals/15.09%3A_Senses/15.9G%3A_Taste
- ↑ Purves D, Augustine GJ, Fitzpatrick D, Katz LC, LaMantia A-S, McNamara JO, et al. Taste Perception in Humans. 2001 [cited 2022 Oct 9]; Available from: https://www.ncbi.nlm.nih.gov/books/NBK10833/
- ↑ Purves D, Augustine GJ, Fitzpatrick D, Katz LC, LaMantia A-S, McNamara JO, et al. Taste Perception in Humans. 2001 [cited 2022 Oct 9]; Available from: https://www.ncbi.nlm.nih.gov/books/NBK10833/
- ↑ P. S. Dravyagunasutram. 1st ed. Chaukhamba Sanskrit Sansthan; 1994. p. 59.
- ↑ Surendran E. No TitleaClinical Signs and Symptoms in Ayurveda. (First, ed.). Arya Vaidya Shala; 2010
- ↑ AyuSoft Team. Rasa-Siddhaanta Tastes: All Useful all Over [Internet]. 2006 [cited 2022 Oct 9]. Available from: https://ayusoft.ayush.gov.in/rasa-siddhaanta-tastes-all-useful-all-over/
- ↑ Ram TS, Bandari S, Ala Narayana. Pragmatic usage of Haritaki (Terminalia chebula retz): an ayurvedic perspective vis-à-vis current practice. Int J Ayurveda Pharma Res. 2013;1(3):72–82.